#East west hollywood strings free full
#East west hollywood strings free software
#East west hollywood strings free professional

A useful series of windows asks questions which allow the software to fine-tune itself to your creative and technical requirements. Once installed, it’s easy to get started as either a standalone program, or as an AU, AAX or VST plugin within your DAW of choice.

#East west hollywood strings free full

Installation of the full product requires a significant investment of both cash and digital real estate, with the full Diamond version of the suite requiring nearly 1TB of free space – so make sure you’ve got significant hard drive capacity (though it’s possible to save library files to multiple drives). The aim of Opus is to weave these instruments together, as crucial elements of the full orchestra. The major components comprise packages which span Brass, Orchestral Percussion, Orchestral Woodwinds, Solo Cello, Solo Violin, Harp and Strings, though they’re richly playable instruments in their own right. The recordings therefore are at turns majestic, nuanced, bombastic and utterly soul-tickling.

#East west hollywood strings free professional

(Image credit: EastWest) Performance and verdictĪll the instruments that make up the numerous sub-suites of the collection were recorded at the EastWest Studio 1, and produced by Doug Rogers and Nick Phoenix, alongside the aforementioned Shawn Murphy, all of whom are luminaries in the professional scoring world. Professional software scorers facing tight deadlines will find it invaluable.

The program encourages you to craft your own intricate movement within an orchestral patch. Though its 500 mouth-watering presets are tantalisingly waiting to be fired up and explored, Orchestrator is no virtual cheat-sheet. Orchestrator is a new orchestral arrangement-shaping tool, and is the secret weapon to work up huge sounding scores at a super-fast rate, with real-time melodic line-adjustment presented in a DAW-like view. Though these are the key advancements on paper, the package’s relationship with EastWest’s new ambidextrous Hollywood Orchestrator elevates the whole experience into something far richer. Of particular note is the slick colour switch when adjusting between the new Mood choices per instrument (scalable between the intimate Soft, the mid-range Classic and the full-frontal Epic). The redesign of the UI has significantly simplified the suite, with a strikingly pretty central visual providing easy-to-understand access to every parameter you need. Of particular note is a robust 18 violin section within Hollywood Strings, which has an '80s childhood fantasy vibe as well as the ability to define key switches to switch between every instrument articulation. I have all the Hollywood samples on an internal HDD RPM.There’s a whole heap of freshly recorded instruments and effects in the mix, too, across the string, brass and woodwind libraries. Obviously this results in fast plucked melodies sounding horribly off-time. Of the A note samples, the 3rd sample starts consistently on the mark, but the rest consistently start late. Of the A# note samples, the 3rd sample of the rotation consistently starts late. What I notice is that if I put a B note in a 4/4 pattern and play it over and over, the 1st and 2nd samples will consistently start slightly late, but the 3rd and 4th samples start perfectly on the mark. There are obviously multiple recorded samples for each single note, and the software rotates through the samples when hitting the same note over and over, so that the software doesn't sound robotic. I find using the 'Full STR Pizz' (Pizzicato) preset, that the starting times of particular samples is late.